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Two Pens

Writing Gallery

Compiled on this page is a sampling of my written works. I have included two sections: professional writing and creative writing. The professional category contains blogs written for the non-profit I currently work for, while the creative category contains a collection of creative works I've written. 

I want this specific gallery to reflect my writing journey - a testament to my growth and development over the years. As with all journeys, it is not about achieving perfection, but about staying on the path. We get nowhere unless we take the next step.

 

Thank you for visiting this page, for exploring this collection. Within each piece, and taken as a whole, this gallery represents me, all of me.

“Rule one, you have to write.

If you don't write, nothing will happen.”

-Neil Gaiman

Prof. Writing

Professional Writing

As a hired contractor for Girls Soccer Worldwide (GSWW), I write all of their blogs, newsletters, and contribute to their website content. Since January of this year, I have written twelve blogs for their online "journal" and written a biweekly newsletter. Some of the work I am most proud of are the blogs. They are article-like pieces written about the organization, the founders, the current impacts and future growth, and also written after interviewing the young women who work with the organization.

GSWW is a non-profit that seeks to empower girls to rise out of poverty through sports, education, and leadership opportunities. For the last seven years, GSWW has been working with a partner community, Coronel Bogado, in Paraguay. GSWW focuses on providing scholarships and financial aid for basic necessities for girls in this community so that they can stay in school, have access to sports, and change their community from within. Similarly, GSWW is working in Northern California in the Bay Area to provide leadership workshops and access to sports for underserved communities.

The motto of the non-profit is Change One, Change Thousands. GSWW believes that by helping create opportunities for young girls, by providing essential needs and keeping them in school, they will be empowered to become role models in their own communities. They envision a world where every girl has access to the opportunities to reach her greatest potential.

gsww.jfif

Article #1: Our Heart and Our Why

The very first blog I wrote for GSWW was called Our Heart and Our Why. I interviewed a young woman in Paraguay, Maria Lujan, who was the first young girl that GSWW helped in 2016. The co-founders met Maria when they visited Coronel Bogado on an outreach visit. And, because of that chance meeting, all of their lives would change. 

I am particularly proud of this blog/article because it was the first time I got to publish something I had written. I interviewed Maria, I transcribed our conversation, and I had the freedom to be as creative with the article as I wanted. I have grown much since writing that first blog. But this was my very first one. It was my first step away from being a Human Resources Officer in the Army towards my ultimate goal of being a professional writer.

"The support of her mother is mirrored by the community of Coronel Bogado. People who pass her on the street and the teachers at her school all ask Maria how the GSWW projects are going. They encourage her not to stop because, 'what she’s doing is incredible.' And yet, creating change in any environment is uncomfortable. When you push against the status quo, when you start striving for more, when you sidestep corruption on the path to progress, not everyone will be behind you.

At the start, there were some distant family members and people around Maria who didn’t support her or what she was doing. They criticized her for going against the grain, for playing with the boys, for breaking free. There were moments when Maria wanted to quit. It’s far easier to stay in your lane, to occupy the small space societal expectations create for you. But she didn’t and she hasn’t. What has kept her going, what has motivated her in times of struggle when the odds seem insurmountable? 'Don’t allow the critics to win.' As Walter added, 'If she stops, they win.'"

Article #2: Meeting the Need

 

An article that has stuck with me was one I wrote in May of this year. In it, I researched the prevalence of childhood poverty and school attendance rates for girls in Paraguay. Though I had known the dismal statistics beforehand, it was something quite different to dive into resources like Plan International and the Borgen Project, which discussed child hunger and the poverty rates in Paraguay, respectively. The work that GSWW is doing, partnering with an underserved community in Paraguay, empowering the young women there, and providing for basic, essential needs, is truly life-changing. 

This blog describes a mission undertaken by the young women of Coronel Bogado, our "ambassadors" in that community. They take donations from the organization and put together food kits for the families in need in their community. While the pandemic raged on, the girls wanted to feed those in need and have delivered over 800 food kits to families in the last three years. 

I feel as if I was able to successfully strike the balance of personal and professional in this blog article, providing key information about the organization and humanizing the statistics I cited. Though the subject matter isn't easy, this was the first time I feel like my words could have an impact. If I could write these articles well enough, people would understand the plight of these young girls and this community in Paraguay and would help GSWW achieve its mission.

"GSWW’s mission is to empower girls to rise out of poverty through sports, education, and leadership opportunities.  But when basic needs in life go unmet—if young women do not have food to eat, clean water to drink, clothes to wear, bathrooms to use, or the financial stability to stay in school—then this mission cannot be achieved.

'We [decided to] put the time and effort into feeding the community,' Pamela explains. 'If you don’t have food in your belly, how do you focus on education? On physical performance?' This is us living our values of meeting girls where they are at and our renewed focus on the whole girl.

When we help provide access to fundamental necessities, we keep girls in school and commit to creating community-level change.
"

Want to read more articles written for GSWW?
Check out the gallery below!

Humanizing the Leadership Experience
Change the Path
Grassroots: Gratitude and Growth
Understanding the Need
Building a Foundation for Change
Creative Writing

Creative Writing

Over the last few years, I decided to take a leap and try my hand at writing creatively. I have been writing poetry, short stories, and fan works for over 15 years, but it wasn't until I graduated from college that I decided to take writing seriously. Below are a handful of creative pieces: a short story, a collection of poems, and the first few chapters of two novels I am working on.

 

Thus far, I have contributed two stories to published magazines and have sent a short story to various online publishers. Eventually I hope to complete a manuscript or poetry compilation and get it published. The collection below will continue to evolve and grow as I write more and develop as a writer. This is intended to show my thoughts and feelings, my abilities, and my writing style. Enjoy!

Short Story

This is the first true short story I ever wrote and I wrote it in the winter of 2022. I was moved by the idea of an older woman, stagnant and bitter, being forced to interact with a younger woman, one who still had a zest for life. A chance meeting and a chance farewell...and how that meeting might have changed the both of them.

 

I was originally inspired by the 1981 film Four Seasons, written and directed by Alan Alda (he also starred in one of the main roles). I wanted to tell a story in four parts, four seasons, a story against the backdrop of time. Upon re-reading it now, it definitely is changed a bit from that original idea but it is still something I am proud of. I think I will revisit this and maybe restructure it to fit that original four-part concept. Nevertheless, this piece represents my first attempt at writing a short story, and my first experience sending something I've written off to try and get professionally published.

The Woman in 201

The door is the only one in the hallway without a welcome mat. Andrea could have guessed from the woman’s tone. Just leave them on the doorstep. And don’t expect a tip. Andrea knocks anyways. Some scuffles from behind the closed door, a muffled cough, and then it opens a crack, the security chain still latched. “What do you want?” A weathered face peers out from the dim light, wisps of white hair like low hanging clouds and soft, gray eyes narrowed in suspicion. “Umm, I’m Andrea, I have your groceries here with me. Would you like me to bring them inside fo-” The door slams loudly in her face. “Okay then.” Andrea bends down and places the half-dozen bags at her feet. “See you next week,” she whispers to the gold numbers on the door. - By her third trip, when the leaves are burnt crimson and hang by tendrils to sinewy branches, the woman with the white hair behind the door lets her in. Andrea places the groceries atop the wooden table in the kitchen. With a quick glance she can see the apartment is small, cramped. There’s music quietly filling the air from a record player in the corner and shelves of pictures, knick-knacks, and books adorning every open space on the walls. It makes her sad to realize the woman is all alone. She turns, trying to make it seem like she wasn’t being nosy. But Andrea was naturally curious. She’d been wondering about the occupant of apartment 201 since that first day. What she was like. Why she was so unwelcoming, as the woman who hired her had alluded to. What sorts of things she treasured. The places she’d been. If she had a family. “Just because you’re standing there, doesn’t mean I’m going to give you more money.” Heat rises to Andrea’s cheeks. She’d lingered too long, too curious like her mother always said she was. “Oh no, I don’t want your money.” The old woman scoffs. A faint scent of cigarette smoke hangs in the air. “That’s all anybody wants. And I don’t have any.” Andrea smiles awkwardly, rising up on the toes of her shoes then rocking back to her heels. The blue green sweater the ornery woman wears is beautiful, the embroidery on the front more like a painting than a piece of clothing. “So…have you always lived here?” Gray eyes pierce brown ones. “Have I given you any indication at all that I want to have a conversation?” “Nope, uh, so sorry. See you next week, Miss…?” Andrea leaves the end of the statement open, waiting for the woman to supply an answer. “Mrs. Farrell. Though I haven’t been Mrs. Farrell for a long time. Dorothy will do. Goodbye.” The door closes loudly behind Andrea. Checking her watch, she knows she must hurry to make it to class on time. - Snow settles in mounds on the sidewalks and holiday decorations hang in every shop window. Andrea stamps the icy sludge from her boots and rings the doorbell. Dorothy opens obligingly and ushers the young girl inside. There is a steaming cup of tea on the table next to where Andrea deposits her usual grocery bags. “No class today, we’re off for the holidays now,” Andrea offers, tea in hand. There’s an acknowledged hum from the older woman as she places the last packaged meal in her freezer. “I brought you something.” Andrea pulls a small card from her jacket pocket and holds it out to Dorothy. It hangs there in the space between them for a full minute, neither one quite knowing what to say. Finally, Dorothy nods and takes the offered card. “Thank you, Andrea.” It is only the second holiday card Dorothy receives that year, the first coming from her daughter. She adds it to her entryway table after the girl departs. Her apartment doesn’t seem as empty with it there. - Checking her watch, Dorothy sees the big hand meet the little hand at twelve. Her eyes dart to her front door, waiting. After only a few breaths in and out, she hears the loud chirp of the bell. Andrea waltzes in with the bags, smelling of fresh flowers and sunshine. There is a twinkle in her eye as she pulls a bouquet of roses out from behind her back. Dorothy chuckles in surprise and gives the girl a smile. “Oh, they’re lovely. Thank you.” They are her favorite kind. With a turn of a dial, music glides into the apartment. It is the kind of music she used to dance to, many sunrises and freckles ago. When she was young, when she still dreamed she could be anything she wanted. “Why aren’t you smiling?” Andrea is holding up a photo, one Dorothy hardly looks at anymore. There is a grinning child standing between a rather serious looking couple. The man appears focused, bent down and pointing his finger in the direction of the camera, as if to give instruction to the young girl. The woman is still, a hand on the girl’s shoulder, no trace of joy on her face. With a quick sweep, Andrea notices that in all the photos on the wall, there is only one of Dorothy smiling. Her wedding day. “You aren’t smiling in any of these…” Dorothy feels an icy fist settle behind her sternum. Her throat is tight, her tongue heavy. How to explain it to someone with their whole life ahead of them? Unencumbered by grief or responsibilities? Are there words to convey the dreams that died, excruciatingly slow, the helplessness, how she drowned in it, the fact that her life was lived for all others but her? “Another time, perhaps. Thank you for the flowers, Andrea. They are a wonderful birthday present.” - “It’s next week, and you don’t have to go if you don’t want to, but I got an extra seat next to my parents just in case, and it might be really long and insufferably hot-” Dorothy places a warm hand atop Andrea’s. They sit comfortably at the kitchen table, lemonade fills their glasses and happiness in their eyes. “I would love to attend your graduation, my dear. I never went to school myself and would enjoy the outing.” “You didn’t go to college?” Dorothy smiles sadly, sipping her drink to hide the painful way her jaw tightens. “I wanted to. Planned to. Just wasn’t in the cards for me.” Andrea nods in understanding. “Right, because you got married. And had your daughter.” “Life passed me by,” Dorothy adds as a way of confirming Andrea’s statement. “So, you mustn’t let it pass you by, child.” There’s a ferocity to the old woman’s gray eyes now. “You have so much ahead of you. Your journalism degree and your internship and your friends. Run fast and run hard and don’t stop dreaming. Don’t put anything off and don’t put your life on hold for anyone. A woman can be anything now.” Dorothy stops before the waver in her voice becomes too noticeable. As she said the words to the young girl with the curly hair and constellations of freckles, she wished she could tell it to the serious woman in the photos on the wall. She may not have lived the life she planned for herself, but Dorothy knew that Andrea had magic in her future. They walk to the door, passing cards on the table and flowers in vases, all from Andrea. Life came back to the apartment the day she came knocking. “Next Saturday, 10 a.m. Don’t forget now!” There’s a smile on Andrea’s face, the smile you have when your whole life is ahead and you can’t wait to see what comes next. A joyful faith, a childlike wonder. “I won’t, dear. See you Wednesday as usual, and pick up a cake to celebrate. My treat.” The door closes, the golden numbers catch the light, and Andrea walks away. - The big hand and little hand meet at the top of her watch. Dorothy glances to the door, waiting for the bell to ring like it had every week since the previous fall. But no sound comes. She gives it a few minutes. Maybe picking up a cake at the store was taking longer than expected. Maybe there was traffic. Maybe a hundred, thousand possibilities for why Andrea was late for the first time in 34 weeks. After an hour, Dorothy can feel worry start to worm around in her veins and collect in her stomach. It’s heavy. Bitter. Drowning her on dry land. From a drawer in her entryway table, she pulls out an unused cell phone. A number tucked away in her address book, a few clumsy taps on the overly large number keys, and the line rings. And rings. And rings. Her sweet voice is there! But it is her voicemail, asking the caller to leave a message and she’ll get back to them. Dorothy hangs up. Paces down her hallway. The jazz music she puts on sounds distorted and sad, so she shuts the record player off. The flowers wilt in their pots. After three hours, Dorothy breaks down and calls her daughter. No, she doesn’t know why her groceries weren’t delivered. And no, she didn’t know how to get in touch with the girl’s supervisor. But yes, mom, she’d figure it out. There’s a promise to call later and catch up and one to visit soon. But both women know these to be mere words. The bright summer sun sets low in the sky, painting the scene outside Dorothy’s window in pinks and oranges and purples. Tonight she can’t stand to look at it. Still her phone does not ring. Still there is no chime of the doorbell. Dorothy waits all night. - Only later does she find out what happened that cloudless, warm afternoon. A car had run a red light, the driver hadn’t been paying attention. Horns blared, someone screamed. White roses splattered crimson. - Dorothy sets a bouquet of sunflowers atop a cold stone a year to the day afterwards. She only spends a few moments here, knowing she can’t monopolize the memory of this flame snuffed out too soon. Others grieved and still grieve, the breadth and depth of their connection dwarfing hers by comparison. The old woman pats the headstone and runs her fingers along the name inscribed on its surface. Clinical. Detached. So different from the woman for whom it is for. Dorothy had found herself lurking in those young brown eyes, all her unpursued dreams and broken promises, the future she had always wanted. For a brief moment, she envisioned those heartaches mended, those compromises retracted. She would live because Andrea would. Life, however, is cruel. Brutal. It takes in places it shouldn’t. Nothing now will change what happened that day. Too short a life ended, too long a life continued. Entirely unexpectedly, Dorothy knew that Andrea had saved her. That first knock on the door, and every visit afterward, pulled Dorothy from some far-off place. Pulled her back to humanity, to warmth, to love. For too long she’d toiled in loneliness and self-pity, feeling forgotten and ignored by the world she’d given so much to. But Andrea had seen her. Andrea had cared for her. And Dorothy never got the chance to thank her. A chime from her pocket brings the morning back into startling clarity. Of course, she had somewhere to be. A long overdue meeting, a beginning blossoming from a brutal ending. With one final glance at the ghostly placeholder, the old woman with the white hair turns on her heel, walking slowly away from the flowers on the ground and the surreptitious silence of the stones.

A Collection of Poems

I was first introduced to poetry in the sixth grade in my language arts class by my teacher, Mrs. Heller. She had all of us write poems throughout the year about our experiences, our lives, and our families. She was the first person to ever tell me that something I had written was good, was worthy. I still remember it all these years later.

 

At various times in my life, big events or emotional moments, I find myself falling back on old habits and scribbling out a few poems. I have ones stored on my phone from the beginning of my relationship with my husband, poems I wrote for my wedding ceremony, one I wrote for my nephew when he was born, and ones I've written about becoming a mother.  The selection of poems below have all been written in the last five years and are windows into the various life experiences I've had. They are poems I am proud of, ones I find to be powerful and revelatory.

For my Daughter

2022

Heaven

Your head is on my chest,

your little body perfectly snug in the space where my limbs end.

One cracker for me, one for you.

Sharing, sharing everything.

As we always have

space, love, a heart.

A bee floats lazily outside the window,

there's sun and a breeze in the trees.

This is heaven,

This is heaven.

Hands

Your hand fits in mine,

but now your fingers extend to the edge of my palm.

Not so tiny, not anymore.

You can hold things, stack things, build things.

You are learning to create with your hands.

Just don't forget

In your hand,

your tiny hand that used to be a baby hand,

you are holding my heart.

You are always holding my heart.

For Me

2021

I counted this year in imperfections.

Cataloguing and pinching and scrutinizing the woman in the mirror.

I counted this year in first steps.

Baby giggles and tiny breaths,

wishing sleepless nights to end and cuddly mornings to not move so fast.

I counted this year in beginnings and endings.

Books closed for the last time,

decisions made,

changes awaited,

the uncertainty of both...

Constant.

I counted this year in visits from friends,

in sunsets,

twinkling Christmas lights,

songs played on my daily commute.

The counting brings order, explanation.

Rooting us amidst the wave of time as we float through everything and nothing.

It is a blessing, maybe a curse.

I counted this year and I will count the next,

scribbling down the moments that make up the constellation of my life.

For my Partner

2018

I long to walk with you

down empty streets at midnight.

The fog chasing us in the dark,

Our shadows dancing beneath golden lamps.

All around us—silence and emptiness,

an illusion of solitude.

 

Chilling cobblestones clack

beneath my feet.

I hear the echoes of your footsteps

as they stitch patterns on my heart.

 

There is nothing else in the world but us.

 

The deserted alleyways conceal

our stolen steps

our rushed kisses.

 

Your bubbling laughter

echoing up the rafters of the city

makes me feel

like I am not alone

in the fog,

beneath the street lights,

dancing under the stars.

 

Show me this—

the cityscape of your soul.

Fiction: Just the Beginning

I have been writing stories for as long as I can remember, though I rarely shared them with others. Some were ones of my own making, some were fan works, some were written collaboratively with my sister. But, in a sense, writing has always been there. It may not have been good by any definition of the word. Beginnings rarely are. I am proud of how far I have come since then, dedicating more and more time over the years to writing purposefully and building ideas of my own for future novels.

 

I have included two works below. They are the "beginnings" of book ideas I have been playing around with; the first since the fall of 2020 and the second since just this past September. I plan to eventually make these both into complete novels in the future. They both, I think, are good examples of my style and voice, and embody the sorts of emotionally driven and deep stories I wish to write about. 

Mothers and Daughters

Two daughters, a mother, and a grandmother reunite. Each one harbors a secret that, by the end of the weekend, will finally see the light of day. Will their relationships strengthen because of them? Or will they be left in tatters? 

The Hope of the Sun

One book.

Two women.

Ten years.

This is a story about lies and broken promises. But it is also a story about love.

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